Cover -- Table Of Contents -- Acknowledgements -- Introduction: Special Effects And The Techno-romantic Paradigm -- 1. Imagining Technological Art: Early German Film Theory -- 2. Modern Magicians: Guido Seeber And Eugen Schüfftan -- 3. The Uncanny Mirror: Der Student Von Prag (1913) -- 4. Visualizing The Occult: Nosferatu (1922) -- 5. The Technological Sublime: Metropolis (1927) -- 6. German Technique And Hollywood -- Conclusion: Techno-romantic Cinema From The Silent To The Digital Era -- Bibliography -- Index Katharina Loew. Electronic Reproduction. Baltimore, Md Available Via World Wide Web.
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