New Soviet man : gender and masculinity in Stalinist Soviet cinema

This is the first full-length study of masculinity in Stalinist Soviet cinema. A detailed analysis of Stalinist discourse examines the imagined relationship between the patriarch Stalin and his "model sons" in the key genre cycles of the era: from the capital to the collective farms, and ultimately to the very borders of the Soviet state. Informed by contemporary and present day debates over the social and cultural significance of cinema and masculinity, this book draws on a range of theoretical and comparative material to produce engaging and accessible readings accounting for both the appeal of--and the inherent potential for subversion within--films produced by the Stalinist culture industry.