Beyond ambiguity: Tracing literary sites of activism

Introduction: Localities -- How Does The Activist Cope With Ambiguity? -- Resisting The Compliant Text -- The Truth Should Be In Blurbs, Encomiums, References, Letters Of Support And Launch Speeches Etc. -- An Unambiguous Response To Helen Macdonald's Article The Forbidden Wonder Of Birds' Nests And Eggs' -- How Do Poems Come Out Of Conversations? -- On Being An Ethical Vegan For Thirty-three Or So Years... -- No Pets But Surrounded By Animals- Proximity Sensors And Warnings -- Dream Pastoral Inversions: Re-approaching Pastoral Fraughtness Through Questions Of Australian Rurality -- Celebrating Fay Zwicky -- A Dissenting Imagination: Disambiguations -- Places We Do Or Don't Go To Not Only In Person, But Also In Writing -- `precise Poems' Are More Ambiguous Than We Might Think: On Judith Wright's Collected Poems -- On Georgina Arnott's The Unknown Judith Wright -- On Alison Whittaker's Poetry Collection Blakwork: A Letter To An Editor -- Non-ambiguous: Dispossession And Culpability -- On Ambelin Kwaymullina's Living On Stolen Land -- On Glen Phillips's Collected Poems 1968-2018: In The Hollow Of The Land -- A Poet's Personal Appreciation Of Les Murray (in Memoriam, April, 2019) -- Im Bruce Dawe, 2020 -- Sinews -- On Siobhan Hodge's Justice For Romeo -- On Matt Hall's Poetry Collection, False Fruits: Habitation And The `consonant Feather' -- On Kim Seung-hee's Hope Is Lonely -- On Philip Neilsen's Ms Wildlife Of Berlin -- On Omar Sakr's The Lost Arabs -- On Paul Kelly's 2017 Album/cd Life Is Fine -- The Polyphony Of Voices Brought Together -- The Inherent Reciprocities Of Memoir-making: On The Memoirs Of Evelyn Shaldr And George Ellenbogen -- On An Innovative Poet's Book, Never Published: Introduction To Scott Patrick-mitchell's Vade Mecum -- Working With Urs Jaeggi -- On Textures Of Ambiguity -- On My Own, My Language Is Not Alone -- Rocks Can Burn, Too: And There's Nothing Ambiguous About It -- Poetry Can Lead To Speculative `realist' Fiction: The Inspiration Behind Hollow Earth -- On Spenser's Stanza `virtue Gives Itself Light' -- Consuming Rebellions And The Need For Non-violent Protest -- Extinction Rebellion Is Too Much About Image And Not Enough About Its Own Impacts -- Towards `conclusions': Disembodying And Re-embodying The Poem As Act Of Acknowledgement Of Land Rights And A Rejection Of `property': On Acts And Actioning Of Environmentally Concerned Poetry ; Resist! Against Cruelty- Emphasis Without Violence ; Conclusion To Beyond Ambiguity And A Triptych Of Poetics. John Kinsella. Includes Bibliographical References.