The present volume shows the archaeological thinking as a form of art, revealing the poetics of the archaeological imagination. It shows that, in their work, archaeologists, without being inspired by contemporary artists, use creative methods, and their analysis of the art of the Past goes beyond the material culture of the art objects, into the realm of the mental processes of creation. Consequently, the purpose of this book is to present the archaeological research functioning as a sort of artistic creation, proposing new perspectives on the archaeological imagination.
It offers an exploration of the creative processes, the possibility of finding inspiration in experientially, and the approach to the act of creation as a subject for archaeological research. When analyzing the art of the Past, or when using art methods to approach the Past, we are facing an act of creation where imagination, emotion, and creativity combine under the form of an experiential instrument of investigation.
The book offers a vision of archaeological research, a means to understand the complexity of the human nature, and consequently, to approach the human thinking structured on similarity and symbolism, being able to detect cultural and psychological subjects ignored until today, and, at the same time, to offer a series of visions of art, seen from the perspective of archaeology.
Table of Contents
On Art, Archaeology and Imagination - Dragos Gheorghiu
PART I Art and the Ancient Mind
Reveries and Representations of the Magic of Being - Roberta Robin Dods
Catching the Ephemeral – Aesthetic Characteristics of Art - Torill Christine Lindstrøm
The Symbolic Artefact: Symbols and Hidden Meanings in Archaeology - Dr. Andrea
Vianello
PART II Experiencing the Ancient Mind
Replicating the Prehistoric Artisans Mindset - Jacqui Wood
A Deep and Powerful Approach to the Sound Dimension of Painted Caves and Rocks -
Iegor Reznikoff
Experiencing ritual. The case of Barclodiad-Y-Gawres, Wales - Dragoş Gheorghiu
The Demography of Art - Ezra B. W. Zubrow
Modernity and Landscape through Art: Deconstructing the Mindset of British
Contemporary Artist James Isherwood - George Nash
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