The wood engravers' self-portrait: The Dalziel Archive and Victorian illustration

Machine Generated Contents Note: 1. A Wordless Memoir: The Illustrator As Archivist -- Pt. I The Dalziel Family And Their `woodpecker' Employees, 1839 -- 93 -- 2. `the Print Of [her] Feet' (wordsworth): The Wood Engravers' Self-portrait -- 3. Ruskin's Sinisterity: Disjointed Hands And Brains, And The Division Of Art Labour -- 4. Barnaby Rudge And `the Atmosphere Of Letters' (craik): Apprenticeship, Education And Employment -- 5. Ghostwriting The Line Of The Other: Wilkie Collins's After Dark And Dalziel's Freelance Engravers -- 6. `this Midnight Forger' (trollope): Signatures, Authorship And Relations Between Engravers And Draughtspeople -- Pt. Ii Medium And Technique At Dalziel Brothers -- 7. `off With Her Head!' (carroll): Execution, Technical Violence And The Discipline Of Visual Cultures -- 8. `these Many Ingenious Adaptations Of Photography' (dalziel): Photography And Wood Engraving, From Eadweard Muybridge To Julia Margaret Cameron -- 9. `a Peculiar Brilliancy Of Black' (devinne): The Colour Of Monochrome, And Thomas Dalziel's The May Queen -- 10. Speed, Print, News -- 11. Conclusion: Greedy Rats. Bethan Stevens. Includes Bibliographical References (pages 374-380) And Index.