Reassessing the ancestry of contemporary criticism, Jonathan Arac opens current debates over English studies to a larger understanding of cultural and political history, from romanticism through postmodernism. This work of creative scholarship enlarges our knowledge of the history of criticism while also exemplifying a new practice of writing literary history. Arac draws new lines from Wordsworth, Coleridge, Shelley, and Arnold to their modern successors and to recent developments in Marxism and poststructuralism.
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