Chicano Art Inside/Outside the Master’s House: Cultural Politics and the CARA Exhibition

Pre-face/pre-cara -- Theoretical Introduction: Alter-native Ethnography, A Lo Rasquache -- Pt. 1. Open House -- 1. Solar Of Chicano/a Popular Culture: Mi Casa [no] Es Su Caso -- Pt. 2. Cara's Politics Of Representation -- 2. Through Serpent And Eagle Eyes: Intercultural Collaboration -- 3. Out Of The House, The Halo, And The Whore's Mask: The Mirror Of Malinchismo -- Pt. 3. Public Reception -- 4. Between The Ghetto And The Melting Pot: Popular Hegemony. Conclusion: The Mutation Of Multiculturalism -- App. A. Selected Viewer Comments -- App. B. Organizational Structure Of The Cara Exhibition. By Alicia Gaspar De Alba. Interdisciplinary Cultural Study And Discussion Of An Exhibition Of Mexican-american Art, Known As C.a.r.a. (chicano Art: Resistance And Affirmation) Which Toured Mainstream U.s. Museums Between 1990-1993. Includes Bibliographical References (pages 279-296) And Index. Electronic Reproduction. New York Available Via World Wide Web. Master And Use Copy. Digital Master Created According To Benchmark For Faithful Digital Reproductions Of Monographs And Serials, Version 1. Digital Library Federation, December 2002. Http://purl.oclc.org/dlf/benchrepro0212 Miaahdl Digitized 2016 Hathitrust Digital Library Committed To Preserve Pda Miaahdl