Inside Broadside: A Decade of Feminist Journalism

Product Description
Includes Susan G. Cole interviewing Gloria Steinem and writing by Margaret Atwood, Susan Crean, June Callwood, and Marian Engel. Broadside: A Feminist Review was a groundbreaking Canadian feminist newspaper published between 1979 and 1989. While Broadside paid attention to everything from feminists making art to street activism, it also covered the mainstream, from pop culture to peacemaking. The Broadside team uncovered the work of female artists and developed challenging and risky new ideas, all while participating in the day-to-day organizing of a grassroots movement. Broadside helped reinvent journalism to make room for a feminist voice. This collection looks at the impact of the newspaper on the lives of women. Through a selection of key articles, the book explores the issues and events, the conflicts and controversies, and the debates and discoveries of feminist theory and activism that formed the context and content of a decade of change.
Review
Quill & Quire

January 2020





Inside Broadside: A Decade of Feminist Journalism


Edited by Philinda Masters with the Broadside Collective





Reviewed by Dory Cerny





Two things become immediately clear upon reading
Inside Broadside: A Decade of Feminist Journalism. The first is how readily women take for granted the rights and freedoms our older sisters, mothers, and grandmothers fought for. The second is how tenuous those rights and freedoms are, and how many of the battles waged 30, 40, even 100 years ago are still ongoing. 

Founded in 1979 by a collective of women with backgrounds that varied from puppeteer to graphic designer to documentary filmmaker to magazine editor,
Broadside was one of the dozens of feminist publications that cropped up to meet the demands of women craving information and solidarity as what would ultimately be termed second-wave feminism took hold throughout the 1960s and '70s. Published monthly by a group of volunteers who handled everything from selling advertising to typesetting and pasting up columns by hand (a feat that will be completely foreign to readers who have no recollection of life before computers), it aimed to provide a hub for women to access news, editorials, interviews, cultural analyses, and community resources. It gave space to a long list of writers, from lesser-known academics to recognizable names such as Michelle Landsberg, Eleanor Wachtel, and Margaret Atwood. 


The pieces anthological in Inside Broadside, edited by original collective member Philinda Masters (with input from current members of the Broadside collective), provide an interesting cross-section drawn from the publication's more than 4,000 pieces. Some have aged better than others. A handful of stories about pornography, many written by collective members Susan G. Cole (who also provides the section introductions), feel oddly quaint and pearl-clutchy in light of the pornification of modern society, despite the fact that the arguments about porn's overarching misogyny and promotion of violence against women remain true. 


Reading some of these articles proves difficult largely because, in many cases, so little has changed. We're still waiting on the universal childcare programs recommended by Justice Rosalie Abella in her 1985 Royal Commission report on employment equity, for example. Most harrowing are the stories that reflect victories that are now seemingly in jeopardy. Articles lamenting the rise of conservative, far-right ideology and patriarchal control over women's right to bodily autonomy and access to abortion are as relevant now as they were 35 years ago. 


As worthy and informative as many of the pieces are (the stories about the efforts of the Canadian Advisory Council on the Status of Women are among best), a common criticism of second-wave feminism is that it was exclusionary, aimed at and practised predominantly by white, middle-class women whose concerns didn't reflect those of women who fell outside t