Theory for Theatre Studies: Bodies

Product Description
How does theatre shape the body and perceptions of it? How do bodies on stage challenge audience assumptions about material evidence and the truth? Theory for Theatre Studies: Bodies responds to these questions by examining how theatre participates in and informs theories of the body in performance, race, queer, disability, trans, gender, and new media studies.Throughout the 20th century, theories of the body have shifted from understanding the body as irrefutable material evidence of race, sex, and gender, to a social construction constituted in language. In the same period, theatre has struggled with representing ideas through live bodies while calling into question assumptions about the body.This volume demonstrates how theatre contributes to understanding the historical, contemporary and burgeoning theories of the body. It explores how theories of the body inform debates about labor conditions and spatial configurations. Theatre allows performers to shift an audience's understandings of the shape of the bodies on stage, possibly producing a reflexive dynamic for consideration of bodies offstage as well. In addition, casting choices in the theatre, most recently and popularly in Hamilton, question how certain bodies are “cast” in social, historical, and philosophical roles. Through an analysis of contemporary case studies, including The Balcony, Angels in America, and Father Comes Home from the Wars, this volume examines how the theatre theorizes bodies. Online resources are also available to accompany this book.
Review
“Soyica Diggs Colbert's extraordinary new book Theory for Theatre Studies: Bodies is a comprehensive and complex consideration of the discontinuities of material and discursive theatrical histories from Medieval Drama to the contemporary period, which challenges scholars and artists to reconsider how embodied meaning is created by and through performance on stage. This game-changing text deftly argues that bodies carry meaning into every theatrical text and event and thus directly impact how shifting understandings of race, ethnicity, gender, class, sexuality and ability become inseparable facets through which modalities of power, economics and privilege are realized on and off stage.Colbert connects both theatrical and critical theoretical discourses of the acting body in Theory for Theatre Studies: Bodies as she translates new possibilities of imagining, seeing and reading the body. This book unhinges notions of classical texts and is poised to become a 'must read' book for any artist, scholar and/or theater enthusiast who believes that equitable and inclusive theater is not only obtainable in the 21st century, but necessary for manifesting anti-racist futures.” ―Nicole Hodges Persley, University of Kansas, USA
About the Author
Soyica Colbert is the Chair of the Department of Performing Arts at Georgetown University. She is the author of
The African American Theatrical Body: Reception, Performance and the Stage (2011) and B
lack Movements: Performance and Cultural Politics (2017). Colbert co-edited
The Psychic Hold of Slavery (2016). Her research interests span the 19th-21st centuries, from Harriet Tubman to Beyoncé, and from poetics to performance.

Kim Solga is Associate Professor of English and Writing Studies at Western University, Canada.

Susan Bennett is University Professor in the Department of English at the University of Calgary, Canada. She is the author of
Theatre Audiences: A Theory of Production and Reception (1997, 2nd edition),
Performing Nostalgia (1996), and
Theatre & Museums (2013). Among her edited volumes are
Shakespeare Beyond English (co-edited with Christie Carson, 2013) and
Performing Environments: Site-Specificity on the Early Modern Stage (co-edited with Mary Polito, 2014). She was editor of
Theatre Journal from 1997-2001 and has also edited or co-edited special issues of other theatre and performance journals.