Digital Vision and the Ecological Aesthetic (1968–2018)

Product Description Digital technology has transformed the way that we visualise the natural world, the art we create and the stories we tell about our environments. Exploring contemporary digital art and literature through an ecocritical lens, Digital Vision and the Ecological Aesthetic (1968 - 2018) demonstrates the many ways in which critical ideas of the sublime, the pastoral and the picturesque have been renewed and shaped in digital media, from electronic literature to music and the visual arts. The book goes on to explore the ecological implications of these new forms of cultural representation in the digital age and in so doing makes a profound contribution to our understanding of digital art practice in the 21st century. About the Author Lisa FitzGerald is an associate researcher at the the CRBC Rennes, Université Rennes 2, France.Greg Garrard is Associate Professor of Sustainability at the University of British Columbia, Canada. He is the author of the bestselling book Ecocriticism (2nd edition, 2011) and editor of The Oxford Handbook of Ecocriticism (2014).Richard Kerridge is a nature writer and ecocritic who leads the MA in Creative Writing and co-ordinates research and postgraduate studies in English Literature and Creative Writing at Bath Spa University, UK. His works include: Cold Blood: Adventures with Reptiles and Amphibians (2014), J. H. Prynne's place-based poem-sequence The Oval Window, in collaboration with the late N. H. Reeve (2018), Writing the Enviornment (1998) and his other nature writing has been broadcast and published in BBC Wildlife, Poetry Review and Granta. He was awarded the 2012 Roger Deakin Prize by the Society of Authors, and has twice received the BBC Wildlife Award for Nature Writing. He was founding Chair of ASLE-UKI and has been an elected member of the ASLE Executive Council. With Greg Garrard he is co-editor of the Bloomsbury Academic series 'Environmental Cultures' – the first series of monographs in the Environmental Humanities to be published in Britain and he is a member of the steering committee of New Networks for Nature.