Le théâtre « de l’absurde » en RFA: Les œuvres d’Adamov, Beckett, Genet et Ionesco outre-Rhin

The present volume analyses the reception of the French "Theatre of the Absurd" in West Germany from the 1950s on, as this groundbreaking dramatic écriture gained national and international recognition. Based on previously unpublished archives, this synthesis work sheds a new light on drama history and French-German cultural relations from 1949 to 1989.