Intro -- Acknowledgments -- Permissions -- Introduction -- 1. Images Of Objectification: Othello As Prop In Kill Shakespeare -- 2. Colorblindness On The Post-racial Stage: Hip Hop, Comedy, And Cultural Appropriation In Othello: The Remix -- 3. Othello, Race, And Serial: The Ethics Of A Shakespearean Cameo -- 4. No Tools With Which To Hear: Adaptive Re-vision, Audience Education, And American Moor -- 5. At The Intersection Of Gender, Race, And White Privilege: A Case Of Three Desdemona Plays -- 6. Resisting Lobotomized Shakespeare: Whiteness And Universality In Key & Peele And Get Out Epilogue -- Bibliography -- Index Vanessa Corredera. Includes Bibliographical References And Index. Electronic Reproduction. New York Available Via World Wide Web.
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