Film als Wissensform: Eine philosophische Untersuchung der Wahrnehmung filmischer Bewegungsbilder

Cognitive Processes Play A Central Part In Our Cinematic Experience. Films Do Not Simply Impart Factual Knowledge Documentable By Observation. Peter Remmers Combines Ideas From Film Theory, Phenomenological Image Theory, And Epistemology To Develop A Systematic Definition Of Cinema's Epistemic Object. In This Way, The Study Lays The Foundations For A Philosophical Conception Of Film. Peter Remmers. Originally Presented As The Author's Thesis (doctoral) - Technische Universität Berlin, 2017. Includes Bibliographical References (pages 168-174) And Indexes.