
Product Description They see themselves as historic centres while simultaneously becoming secondary in the dynamics of regional urbanisation. They move between rural idylls and chronically overloaded junctions. They are innovative commercial locations and yet remain eternally the provinces. Are the middle-sized towns between all the cracks? Or is this position in-between an opportunity in itself because this kind of urban fabric has so much potential? Linz is a prototypical middle-sized town. Not only in terms of its size and geographic position, between the hotspots of Vienna and Salzburg, but also because of the widely strewn palette of attributes. And, in fact, in the recent past Linz has used this in-between position and developed a remarkable talent for reinventing itself. Linz is European Capital of Culture in 2009. This exceptional situation calls once more for a new pitch. Who can Linz learn from and what can others learn from Linz? What does Linz share with Madrid or Galati? Which of its attributes are shared with Moscow or Davos? An urban road movie - to the end of the world - is looking for the answer. Book Description Specific living experience in an in-between city in comparison to Manchester, Moskow or Davos From the Back Cover 2009 is Linz’s year as European Capital of Culture. This calls for the creation of a new profile for the Upper Austrian provincial capital, which has shown a remarkable talent for reinventing itself in the recent past. Whose example can Linz learn from, and what lessons learnt can it pass on to others? What does Linz have in common with Madrid, Wolfsburg or Seattle? Which of its attributes are shared by Moscow, Manchester or Davos? An urban road movie sets out to find the answers. In a visual dialogue with other cities, LINZ TEXAS develops a both atmospheric and challenging reading of a medium-sized city which ventures far beyond the familiar methods of urban representation. With contributions by Shumon Basar, Angelika Fitz, Klemens Gruber, Martin Heller, Bart Lootsma, Angelika Schnell, Dietmar Steiner and Roemer van Toorn. About the Author Angelika Fitz is specialist on cultural studies and curator; she has been responsible for a number of exhibitions and publications on architecture, urbanism, art and Post-Colonialist topics. She was the commissioner of the Austrian contributions to the Sao Paolo architecture biennial and lectured both in Austria and abroad. Martin Heller is the coordinator of Linz, Cultural Capital of Europe 2009. He is the director of the Zurich Museum of Design, Photography, Art, Media and Popular Culture. He served as the artistic director of the Swiss 2002 Expo Exhibit in 2002 and is the founder of Heller Enterprises Zurich.
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