Flemish manuscript painting in context : recent research; based on symposia held at the J. Paul Getty Museum, Los Angeles (September 5 - 6, 2003), and at the Courtauld Institute of Art, London (February 21, 2004, under the sponsorship of the Courtauld Institute and the Royal Academy of Arts)

A companion to the prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, edited by Thomas Kren and Scot McKendrick (2003), this volume contains thirteen selected papers presented at two conferences held in conjunction with the exhibition.
Chapters include Lorne Campbell's research into Rogier van der Weyden's work as an illuminator, Nancy Turner's investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. Although topics are wide ranging, one recurring theme is the structure of collaboration in manuscript production. Essays uncover an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court along with the contributions of individual illuminators. A series of biographies of Burgundian scribes is also included.