Originally Published In 1924, This Title Is Substantially A Continuation Of Baudouin’s Earlier Work Studies In Psychoanalysis, Being An Application Of Psychoanalysis To The Theory Of Aesthetics, As Illustrated By A Detailed Study Of The Works Of The Belgian Poet Emile Verhaeren. The ‘interpretation’ Freud Has Supplied For Dreams Baudouin Attempts – And Archives – For The Imagery Of The Artistic Creator. The Work Is In Part Based Upon Private Documents Supplied To The Author By Madame Verhaeren, An Autograph Letter, And A Previously Unpublished Poem.
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