The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism

Through Close Attention To The Centrality Of Involuntarity In Pivotal Nineteenth-century American Court Cases That Created New Property Relations With Photographs, This Book Offers A Historically Situated Theory Of Photography In Terms Of Expression And An Archivally-supported Theory Of Whiteness As An Aesthetics Of Racial Capitalism-- Provided By Publisher.