Frontmatter -- Table Of Contents -- Gabriel Lippmann's Colour Photography: A Critical Introduction -- Part I The Science Of Colour Photography And The Colour Photography Of Science -- 1. How Lippmann Froze Light And Passed It Around For Others To Taste -- 2. Lippmann's Interferential Colour Photography: A Juncture Between The Histories Of Spectroscopy And Photography -- 3. Colour Under The Microscope: Santiago Ram̤n Y Cajal Does 'histology' On Lippmann Heliochromes -- 4. Lost In Description: The Misunderstanding Of Frederic Ives (1856-1937) And The Experiments Of His Son Herbert (1882-1953) On Lippmann's Interference Photography -- Part Ii Media History, Aesthetics, And Culture -- 5. Lippmann Photography And The Problems Of Media Historiography -- 6. Richard Neuhauss's Stuffed Parrot: Interferential Colour Photography, Taxidermy, And Projection -- 7. Brilliant! Enthusiasm For The Aesthetic Qualities Of Lippmann's Interferential Photography -- 8. From Maxwell To Mercury: The Cultural History Of Gabriel Lippmann's Colour Photography -- Part Iii Contemporary Reception And Future Trajectories -- 9. Materiality, Identification, And Conservation Of Lippmann Plates -- 10. Exhibiting Gabriel Lippmann: A Collaborative Challenge -- 11. Modern Lippmann Photog -- 12. It's Not Just A Picture, It's A Magical Object: Interview With Contemporary Lippmann Photographer Filipe Alves -- Afterword: Building Bridges Over Standing Waves -- Index Edited By Hanin Hannouch. Electronic Reproduction. Baltimore, Md Available Via World Wide Web.
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