Sergei M. Eisenstein: Notes for a General History of Cinema

Sergei M. Eisenstein: Notes for a General History of Cinema

Author
Naum Kleiman (editor)Antonio Somaini (editor)
Publisher
Amsterdam University Press
Language
English
Year
2016
Page
500
ISBN
9789048517114
File Type
pdf
File Size
8.4 MiB

An Iconic Figure In Twentieth-century Cinema, Sergei M. Eisenstein Directed Landmark Films Such As Battleship Potemkin And Ivan The Terrible And Authored A Vast Body Of Theoretical Texts. This Is The First English-language Edition Of His Recently Rediscovered Notes For A 'general History Of Cinema.' In These, Eisenstein Presents A Fascinating Genealogy Of The Media And Art Forms That Preceded The Birth Of Cinema And Accompanied Its First Decades. Cinema Is Presented As A Medium In Constant Flux And As Heir To An Expansive Tradition, Ranging From Dionysian Mysteries To Death Masks And Mummies, From Wax Museums To Dioramas And Panoramas, Pursuing A Breathtaking Trajectory 'from Dionysus To Television.' Eisenstein's Notes Are Accompanied By A Series Of Previously Unpublished Critical Essays By Internationally Recognized Eisenstein Scholars--back Cover. Foreword / Naum Kleiman -- Cinema As Dynamic Mummification, History As Montage : Einstein's Media Archaeology / Antonio Somaini -- Notes For A General History Of Cinema / Sergei M. Eisenstein -- What Renders Daumier's Art So Cinematic For Eisenstein? / Ada Ackerman -- The Heritage We Renounce : Eisenstein In Historio-graphy / François Albera -- The Notes For A General History Of Cinema And The Dialectic Of The Eistensteinian Image / Luka Arsenjuk -- Act Now!, Or For An Untimely Eistenstein / Nico Baumbach -- Pathos And Praxis (eisenstein Versus Barthes) / Georges Didi-huberman -- Eisenstein's Absolutely Wonderful, Totally Impossible Project / Jane Gaines -- Dynamic Typicality / Abe Geil -- Archaeology Vs. Paleontology : A Note On Eisenstein's Notes For A General History Of Cinema / Vinzenz Hediger -- Point--pathos--totality / Mikhail Iampolski -- Distant Echoes / Arun Khopkar -- Synthesis Of The Arts Or Friendly Cooperation Between The Arts? : The General History Of Cinema According To Eistenstein / Pietro Montani -- Eisenstein's Mummy Complex : Temporality, Trauma, And A Distinction In Eisenstein's Notes For A General History Of Cinema / Philip Rosen -- Sergei Eisenstein And The Soviet Models For The Study Of Cinema, 1920s-1940s / Masha Salazkina And Natalie Ryabchikova. Edited By Naum Kleiman & Antonio Somaini ; Translations From Russian By Margo Shohl Rosen, Brinton Tench Coxe, And Natalie Ryabchikova. Includes Bibliographical References (pages 415-523) And Index. Translated From The Russian.

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