Reimagining Black Art and Criminology: A New Criminological Imagination

Front Cover -- Reimagining Black Art And Criminology -- Copyright Information -- Table Of Contents -- Note On Terminology -- About The Author -- Acknowledgements -- Preface -- Beyond The Wall -- 1 Reimagining A Black Art Infused Criminology -- Systemic Change -- Imaginations -- The Black Criminological Imagination -- Black Epistemological Space -- Black Criminology Arrives -- What No Theories? -- Reflection -- 2 The People Speak -- The Need For A Black Aesthetic -- Ongoing Struggle -- Milestone -- Arising Conflict -- Awakening -- Winston Churchill Fellowship -- The Roll Call Harlem Renaissance -- The Niagara Movement -- Négritude -- Black Arts Movement (us) -- Black Arts Movement (united Kingdom) -- Combahee River Collective -- National Black Arts Alliance -- Apples And Snakes -- New Beacon Books -- Walter Rodney Bookshop -- Race Today Collective -- Reflection -- 3 Shadow People -- Troubling Thoughts -- Black Crime Fiction -- Redressing The Balance -- Expansion -- Insider-outsider -- Access -- The Code -- Blackness And The Criminologist -- Extract From Pause For A Minute: Reflections On The 2011 English Riots -- Transcending Boundaries Black Crime Fiction As Speculative Fiction About Crime -- Reflection -- 4 Staging The Truth -- Where Are We Now? -- Who Engages Who? -- Culturally Sensitive Research Methods -- Theatre As Praxis -- Dramatizing Research -- Silences -- Transformation -- Applied Theatre And Me -- Ethnodrama And Me -- Reflection -- 5 Beyond The Wire -- Whose Cinematic Representation Is It? -- Mediatized Worlds, Race, And Crime -- Contrast -- Malevolence -- The Question -- Fact Or Fiction? -- Postscript From A Frustrated Black Writer -- Show, Don't Tell -- The Prefix Syndrome -- Reflection -- 6 Strange Fruit Black Music And Me -- Black Arts Movements And Music -- Survival -- Identity Stripping -- Black Music And Criminology -- The Past Speaks -- Colours -- Case Example: David -- Reflection -- 7 Of Mules And Men -- Black Stories Matter -- Aesop's Fables -- Trickster Stories -- Uncle 'p' And Marcus Stories -- Issue-based Storytelling: The Consequences Of Knife Crime -- Letter Writing As Stories -- Reflection -- 8 Seeing The Story -- The Need To Reframe Who We Are -- Koestler Arts -- Dismay -- The Black Art Group -- Roll Call -- Visual Art And Desistance -- Towards Black Visual Arts As Cultural Therapy Reflection: Towards A Model Of Visual Arts As Cultural Therapy -- 9 Speaking Data And Telling Stories -- Context -- Moving Beyond Boundaries -- Praxis -- Augusto Boal -- Data Verbalization Is The Way To Go -- The Inventory -- Stage 1 -- Finding A Premise -- Stage 2 -- Highlighting -- Stage 3 -- Rhymes -- Stage 4 -- Studio Recording -- Example: Code Switching -- Reflection -- 10 Locating The Researcher -- Presentation Of Self -- Reflexivity -- Masking -- Breaking The Fourth Wall -- Incorporation -- Auto-ethnography -- Passages -- Presenting Your Auto-ethnography -- Reflection Martin Glynn. Electronic Reproduction. Baltimore, Md Available Via World Wide Web.