Creative Practice Research in the Age of Neoliberal Hopelessness

Intro -- Title Page -- Copyright -- Contents -- Figures -- Notes On Contributors -- Acknowledgements -- Preface: Life In The Post Pandemic Age -- 1. Introduction: Complexities, Compromises And Complicities -- 2. Against The Grain: Women Film Practitioners And Theorists Talk Creative Practice And Theory -- 3. Married To The Eiffel Tower: Notes On Love, Loss And Knowledge -- 4. Creativity And Neoliberalism: Between Autonomy, Resistance And Tactical Compliance -- 5. Tactical Compliance And The Persistence Of Elsaesser -- 6. Storytelling And Game Playing 7. Autonomy And The Other Woman: Queer Active Agency And Postcolonial Expectations -- 8. From Neolithic To Neoliberal -- 9. First-person Expression On 'non-western' Screens: China As A Case Study -- 10. Scholarly Exploration Of The Creative Process: Integrating Film Theory And Practice -- 11. Teaching Practice As Theory: Guerrilla Filmmaking -- 12. Baits Of Falsehood: The Role Of Fiction In Documentary Or From Untheorised Practice To Unpractised Theory -- 13. Repented: A Creative Intersemiotic Translation -- Notes On Agnieszka Piotrowska's Repented 14. How Do You See Me? The Camera As Transitional Object In Diasporic, Domestic Ethnography -- 15. 'shut Your Hole, Girlie. Mine's Making Money, Doll': Creative Practice-research And The Problem Of Professionalism -- 16. Feminist 'pensive-creative Praxis' And Irigaray: A Porous, Dialogical Encounter -- 17. The Paths Of Creation, Or How Can I Help My Dybbouk To Get Out Of Me? -- 18. 'we Want To Kill Boko Haram': Reflections On The Photographic Representation Of Children In A Displacement Camp -- 19. Between 'counter-movement' (ingold) And 'living With Ghosts' (demos) -- 20. Screen Memories: A Video Essay On Smultronstället/wild Strawberries -- Index. Edited By Agnieszka Piotrowska. Electronic Reproduction. New York Available Via World Wide Web.