For the first time, a scholar reveals the meaning of the marginal images on the Bayeux Tapestry, unlocking a completely new meaning of the work. The story of the Norman Conquest and the Battle of Hastings as shown in the Bayeux Tapestry is arguably the most widely-known in the panoply of English history, and over the last 200 years there have been hundreds of books on the Tapestry seeking to analyze its meanings. Yet, there is one aspect of the embroidery that has been virtually ignored or dismissed as unimportant by historians—the details in the margins. The fables shown in the margins are neither just part of a decorative ribbon, nor are they discontinuous. They follow on in sequence. When this is understood, it becomes clear that they must relate to the action shown on the body of the Tapestry. After careful examination, the purpose of these images is to amplify, elaborate, or explain the main story. In this groundbreaking study, Arthur Wright reveals the significance of the images in the margins. Now it is possible to see the “whole” story as never before, enabling a more complete picture of the Bayeux Tapestry to be constructed. Wright reexamines many of the scenes in the main body of the work, showing that a number of the basic assumptions, so often taught as facts, have been based on nothing more than reasoned conjecture. It might be thought that after so much has been written about the Bayeux Tapestry there was nothing more to be said, but Decoding the Bayeux Tapestry shows how much there is still to be learned.
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