

Richard King's account of the several years he spent working in a  Bristol independent record shop in the early 90s is destined to become a  classic of music writing. We live in an age when the most beautiful of  recording formats, vinyl, is back in vogue and thriving. In the early  90s, with the march of the cd and record company disinterest oin the  format, vinyl was looking like an anachronism. And with its demise came  the gradual erosion of a once beautiful and unique landscape known as  the independent record shop.
 Richard King, author of How Soon is Now, blends memoir and elegiac music  writing on the likes of Captain Beefheart, CAN and Julian Cope, to  create a book that recalls the debauched glory days of the independent  record shop. Chaotic, amateurish and extravagantly dysfunctional, this  is a book full of rare personalities and rum stories. It is a book about  landscape, place and the personal; the first piece of writing to treat  the environment of the record shop as a natural resource with its own  peculiar rhythms and anecdotal histories.
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