Walter Benjamin and Art

Product Description



Walter Benjamin's most famous and influential essay remains The Work of Art in the Age of Mechanical Reproduction. Walter Benjamin and the Work of Art is the first book to provide a broad and dedicated analysis of this canonical work and its effect upon core contemporary concerns in the visual arts, aesthetics and the history of philosophy.

The book is structured around three distinct areas: the extension of Benjamin's work; the question of historical connection; the importance of the essay in the development of criticism of both the visual arts and literature. Contributors to the volume include major Benjamin commentators, whose work has very much defined the reception of the essay, and leading philosophers, historians and aesthetician, whose approaches open up new areas of interest and relevance.



Review


“The most synoptic collection to date on Benjamin’s important essay, this volume will serve as an excellent primer for those first encountering Benjamin’s major essay and a fine summary and reconsideration of the essay for those familiar with it. Summing up: Highly recommended.” – Choice (
CHOICE)



"This volume of thirteen essays presents reevaluations of Walter Benjamin's short but influential essay, "The Work of Art in the Age of Mechanical Reproduction."... Benjamin's influence remains strong, particularly within the disciplines of philosophy, history, aesthetics, and cultural theory. The strength of this book is that it gives a sense of the direction of current Benjamin scholarship from within those disciplines, expressed in terms that5 are accessible to the general academic reader."- Frances Robertson, Technology and Culture, July 2006, Vol. 47




"This volume of thirteen essays presents reevaluations of Walter Benjamin’s short but influential essay, "The Work of Art in the Age of Mechanical Reproduction."… Benjamin’s influence remains strong, particularly within the disciplines of philosophy, history, aesthetics, and cultural theory. The strength of this book is that it gives a sense of the direction of current Benjamin scholarship from within those disciplines, expressed in terms that5 are accessible to the general academic reader."- Frances Robertson, Technology and Culture, July 2006, Vol. 47



About the Author


Andrew Benjamin is Professor of Critical Theory and Philosophical Aesthetics at Monash University, Australia. His previous publications include:
Writing Art and Architecture(Re:press, 2010)
Of Jews and Animals (Edinburgh University Press, 2010),
Style and Time: Essays on the Politics of Appearance (Northwestern UP, 2006),
Disclosing Spaces: On Painting (Clinamen Press, 2004),
Philosophy's Literature (Clinamen Press, 2001) and
Present Hope: Philosophy, Aesthetics, Judaism (Routledge, 1997). He was elected a Fellow of the Australian Academy of the Humanities in 2005.