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Robert Rauschenberg: Graphic Art
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  • English
  • Year: 1970
  • Author: Institute of Contemporary Art
Masks, Tents, Vessels, Talismans
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  • English
  • Year: 1980
  • Author: Institute of Contemporary Art
Improbable Furniture [Exhibition catalog, ICA, U Penn, 10 March to 10 April 1977 & La Jolla Museum of Contemporary Art, 20 May to 6 July 1977]
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  • English
  • Year: 1977
  • Author: Institute of Contemporary Art
Manny Farber: An Exhibition Organized by the La Jolla Museum of Contemporary Art, May 5-June 25, 1978
  • PDF
  • English
  • Year: 1978
  • Author: Manny Farber; La Jolla Museum of Contemporary Art
Manny Farber: About Face
  • PDF
  • English
  • Year: 2003
  • Author: Manny Farber, Sherri Schottlaender, Hugh M. Davies, Jonathan Crary, San Diego Museum of Contemporary Art, Austin Museum of Art, P.S. 1 Contemporary Art Center, Robert Polito
Artists and Patrons in Post-war Britain
  • EPUB
  • English
  • Year: 2019
  • Author: Courtauld Institute of Art, Margaret Garlake
Cloudbuster Project : reenactment of the scientific experiments of Wilhelm Reich from 1953-54 to influence the atmosphere by the means of Orgone-energy; [part 1: P.S.1 Contemporary Art Center, New York, May 11 - June 16, 2003; part 2: Schipper & Krome, Berlin, November 14 - 28, 2003, exhibition period: November 14 - December 20, 2003]
  • PDF
  • English
  • Year: 2003
  • Author: Christoph Keller; Sharon Ben-Joseph; PS 1 Contemporary Art Center. & lt;Long Island City, NY & gt
Switzerland – an Urban Portrait: Vol. 1: Introduction; Vol. 2: Borders, Communes – a Brief History of the Territory; Vol. 3: Materials
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  • English
  • Year: 2013
  • Author: Roger Diener (editor); Jacques Herzog (editor); Marcel Meili (editor); Pierre de Meuron (editor); Christian Schmid (editor); ETH Studio Basel - Contemporary City Institute (editor)
Contemporary's Work-Wise Tactics for Job Success
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  • English
  • Year: 1990
  • Author: Contemporary Books, inc
A Neat plain modern stile: Philip Hooker and his contemporaries, 1796-1836
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  • English
  • Year: 1993
  • Author: Mary Raddant Tomlan, Albany Institute of History and Art, Fred L. Emerson Gallery
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